When I think about multimedia, I think about the first scout leader who thought to stick a flashlight under their chin as they spun a story about a deranged killer with an iron hook for a hand. In that brief glorious moment, that storyteller was an innovator of multimedia. They were the pinnacle of storytelling technology.
Such primitive effects are now the stuff of horror spoofs and parody skits. Multimedia has evolved light years since that time to include digital tools; audio and video technology like Powerpoint, Soundcloud, iMovie, and Garage Band have propelled storytelling to new heights. And just like that flashlight, it has become a part of our language, part of our storytelling process.
Multimedia enhances our messaging by giving the same information, but providing it to the reader as a different sensory experience. The Avalanche at Tunnel Creek, for instance, is an example of a compelling use of multimedia. The first thing the reader sees is the headline, accompanied by video of a barren, windswept snowscape. A reader would know by reading just the headline that the story is going to involve a cold climate, snow, a mountainous area, but the video provides the same information in a way that begins the story in the readers mind before the story has even been read. It says, "It was hellish cold. It was brutal terrain. This is not going to go well."
As the story progresses to the moment where the skier Elyse finds herself trapped under the weight of an avalanche, unable to get out, there is a clip of an interview with her. It provides additional commentary, from the victims own experience, on what it felt like to be buried alive. The ability for a reader to see a human being tell of a first hand experience is yet another way this article uses multimedia to supplement the story with powerful tools.
The addition of the storm footage from the weather satellite is another great way of expressing the enormity of this experience for those who experienced it. It does a great job of giving the reader a larger than life view of the massive storm bearing down on the skiers.
The use of multimedia in this story, as well as the "storybook" format (dividing the story up in to chapters, each with a compelling subtitle) is a clever way of providing in-depth coverage from tragedy to triumph, for an attention span-challenged public. It is an expression of this event that recreates the story in the readers mind not only a cerebral way, but in a palpable, emotionally evocative way.Which is, as we all know, the goal of any good story.
Branch, J. (2012) Avalance at Tunnel Creek. New York Times. Retrieved from (http://www.nytimes.com/projects/2012/snow-fall/#/?part=tunnel-creek